An Australian designer and art director who lives and works in New York, Stefan Sagmeister has worked for some atypical clients, including The Rolling Stones, Talking Heads, Lou Reed, and The Guggenheim Museum.

Sagmeister co-founded the NYC design firm Sagmeister & Walsh, which serves as a full service branding, strategy, and design studio.

While making his mark professionally as a graphic artist with a flair for color and an abundance of personality, Kus perhaps gained a wider audience after sharing his ephemeral, dreamlike photography on Instagram.

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Social media is the perfect platform to collect a steady stream of visual inspiration from the top designers in the game.

No matter what industry or position you find yourself in, a concentrated dose of creativity can open your eyes to current trends or simply help you pass the time at the office.

A sought-after type designer, letterer, and illustrator, Jessica Hische is perhaps best known for her Daily Drop Cap project, but her work extends far beyond.

Named in Forbes’ “30 Under 30” list twice, Hische designed the book covers of Dave Eggers’ “The Circle” and “A Hologram for the King.” Hische has produced many notable typefaces, including “Tilda” which was developed for the Wes Anderson film “Moonrise Kingdom.” A founding writer of the Design Observer blog, Michael Bierut currently works as one of the partners in the New York offices of Pentagram, the largest independent design consultancy in the world.

Their lauded typography and bold graphic design led to Hey opening an online shop which they maintain while still serving their clients that range from General Electric to Turkish Airlines.

Mike Kus is a design renaissance man, skilled in web and UI design, photography, graphic design, and illustration.

Sagmeister has won multiple Grammys for art directing and designing album covers for Brian Eno, David Byrne, and the Talking Heads.

Jessica Walsh is the other half of the illustrious, aforementioned design firm Sagmeister & Walsh.

Catch her riveting written and visual essays in The New York Times or Print magazine.